President Donald Trump’s White House remodeling efforts have sparked controversy as his project to replace the East Wing of the White House with a 90,000-square-foot ballroom commenced this autumn. The East Wing was demolished on October 21, producing bleak images of the historical building’s demise. The White House told the public this destruction was necessary, as their only other area for parties held a measly 200 people. This issue forced larger events to take place outside in tents, a problem claimed to have affected former presidents as well. 

Critics of the President’s choice have criticized Trump’s disregard for the historical significance of the building. The East Wing was reconstructed from its original 1902 structure in 1942 during Franklin D. Roosevelt’s presidency. Originally designed to be an administrative building, the East Wing grew into a space for the First Lady to hold large events and fulfill her other duties. 

While the White House is exempt from the National Historic Preservation Act, which requires federal agencies to have construction projects placed under review, out of courtesy, most presidents have voluntarily asked for external input on their renovations. However, President Trump did not elect to have any review from a council or US citizens. 

The 300 million dollar ballroom will be financed by President Trump and a long list of donors, including companies such as Amazon, Google, Meta and Apple. Several billionaire investors are also contributing to the project. Many have questioned the reason for these corporations’ investments in the ballroom and wondered if they may be trying to gain access to the White House. 

This is not the first time President Trump has made contentious adjustments to the presidential palace. Last summer, he paved over the Rose Garden, remodeled by the Kennedys in 1961, to emulate his Mar-a-Lago club in Palm Beach, Florida. The new “Rose Garden Club,” while technically more functional, sacrificed much of the historical character and charm of its previous iteration. The garden’s new form feels exactly how the President wanted: like a country club. But is that truly what we want to be reflected in the home of who we hope is our most respected and responsible leader? 

Many have pointed out this same criticism towards Trump’s vision for the ballroom. While the White House has alleged it took inspiration from the historical architecture and design choices of the White House, some find the new structure to resemble a very different style. In particular, the extravagant gold embellishments echo baroque and rococo aesthetics, which create a considerable divergence from the White House’s original modest neoclassical design. 

Our nation has evolved tremendously over the course of its history, and as change is a natural and necessary process, it is only natural that the home of our nation’s President evolves as well. However, many of President Trump’s recent modifications have felt more focused on demonstrating decadence than representing our nation’s distinct identity. Controversy surrounding the conservation of our national historical buildings is not unique to this administration. Past Presidents have also been criticized when they try to make renovations. However, as time passes, most of these renovations become well-received. Amidst the longest government shutdown in American history, the entrance of the National Guard in our largest cities, and countless other points of contention, one might find that the East Wing ballroom is the least of our problems.